Do not go gentle

Futhi Ntshingila

In her second novel, Futhi Ntshingila once again introduces us to a cast of strong women who have little, but are determined to shape their own destinies.

PRINT VERSION Buy the print version (hard copy) from Modjaji Books directly      

DATE

2014

GENRE

Fiction
i

PAGES

240

ISBN

978-1-920590-50-5

Do not go gentle

Life wasn’t always this hard for fourteen-year-old Mvelo, who lives with her mother, Zola in the shacks on the margins of Mkhumbane township. There were good times when they lived with Sipho, Zola’s lawyer boyfriend. But when the beautiful and mysterious Nonceba Hlathi arrives, Zola has to make a choice. She also has her pride. Now their social grants have been discontinued: the one for Mvelo being underage reared by a 31-year-old single mother, and the other for Zola because of her status. And there is also an elephant growing in their shack as the terrible thing that happened that night in the revival tent remains unspoken.

This novel has been translated into Portuguese, and was published in Brazil in 2016. In 2020 it will come out in Mozambique also in Portuguese.

Catalyst Press in the USA has world English rights (apart from southern Africa) and they have published it as We Kiss Them With Rain. Click here to read more about the Catalyst edition.

Futhi Ntshingila

Futhi Ntshingila grew up in Pietermaritzburg, and her parents still live there. Now she lives and works in Pretoria. She is is a former journalist and holds a Master’s Degree in Conflict Resolution. She loves telling stories about the marginal corners of society. Do Not Go Gentle is her second novel, her first was Shameless (UKZN Press, 2008).

Futhi Ntshingila's author page
Praise

In this novel, Ntshingila depicts the intricacies of life in a squatter camp. She shows how the need for love, security and a sense of belonging cause the lives of the most unlikely people to cross paths. Do Not Go Gentle is a compelling, intense read which portrays how diverse characters sway between solace and disenchantment as they engage with each other. The storyline leaps beyond the boundaries of race, class and borders.
Reneilwe Malatji; author of Love Interrupted

Those who appreciate realistic fiction will enjoy this novel in which young female characters learn to love themselves, no matter the circumstances
April Sanders, School Library Journal

Full of heart and hope despite the emotionally challenging subject matter… A haunting, all-too-true story with plenty of compelling depth.
2018 Booklist Reviews

“Equal parts comedic and tragic.”
World Literature Today

“A gut-wrenching novel.. a book worth reading.”
Penny de Vries

“This story grabs the reader by the hair and drags them through the roughest and dirtiest places that our almost broken country has given birth to… Told in the plainest language, this story unfurls unexpectedly into a drama of redemption. I can’t remember when last a book made me cry from happiness.”
Karin Schimke

“Ntshingila takes what could be mere tearjerking manipulation and turns Mvelo’s path into something at once dramatic and prosaic. In other words, a 14-year-old pregnant by rape, orphaned by AIDS, and uncertain of her future sounds and feels like a full human instead of a line in a news story. Highly recommend.”
Bethanne Patrick, LitHub

“It is a story about joy and hope and courage, and what it means to lift up others and be lifted oneself, and how one young girl found her voice in a world seemingly determined to take it away.”
Shelf Awareness, starred review

“The tale doesn’t shy away from the reality of AIDS, poverty, or rampant sexual abuse, but instead of making those subjects its sole focus, Ntshingila folds them in with the other realities of life: love, joy, and hope. Ntshingila’s lyrically wrought North American debut is a slim yet satisfying novel sure to trigger a wide range of emotions.”
Kirkus, starred review

“[This] is a social novel, more in line with the works of twentieth century writers like Upton Sinclair, John Steinbeck and Richard Wright, than crusaders of the modern era. Like those earlier works, it is written with a dual purpose – to both entertain and inform.” – Tara Cheesman, Necessary Fiction

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